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It’s a dark tale indeed, but Ronson is still not keen to portray the world of porn through the black and white lens of a moralist. On top of all this, Ronson discovered cracks in the original narrative around her death and revealed that Ames had filmed a sex scene that left her bruised and traumatised months before her death.

As a result, you end up with somewhat toxic relationships: you can get a young woman who wants something out of the relationship that the older man is psychologically incapable of giving.” Maybe the young women see these older men as father figures, but they have their own damage and issues.

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“The porn world is full of charismatic older men. “You have a lot of girls who are 18 or 19 who have gravitated towards porn because something happened to them in their own childhood - some kind of sexual abuse,” he says. Having written a book called So You’ve Been Publicly Shamed in 2015, Ronson initially became interested in her sad tale because he believed, as her husband, porn producer Kevin Moore claimed, that Ames’ online bullying was the direct cause of her decision to end her life.īut what he discovered was that 23-year-old Ames, whose real name was Mercedes Grabowski, had a history of depression, self-medication and childhood sexual abuse, a tale, Ronson says, that bears a commonality with a lot of young women in an industry he describes as a “ferocious, rancorous, tribal business.” But August’s troubles ran deeper than that.”Īmes’ troubles also ran far deeper than Ronson had suspected, the podcast reveals. When she told them she was in porn, they assumed all her troubles in life came from what she did for a living. “There’s also lot of bigotry: when August went to a therapist, they asked her what she did.

There’s not enough mental health care: even though the San Fernando Valley has a lot of porn people in it, no therapists specialise in porn. “The Last Days of August definitely goes into a darker side of the industry,” Ronson says.īecause most people don’t want to know about the porn world, that means exploitation can flourish. The Butterfly Effect was often playful and funny, but Ronson’s second podcasting foray into porn is anything but The Last Days Of August investigates the suicide of Canadian adult film star August Ames, who took her own life a day after being subjected to a Twitter pile-on for tweeting that she had refused to shoot a scene with a male co-star who also worked in gay porn. But while film and music piracy have generated outcries, the public’s shame-based blind spot has created a moral landscape where no-one bats an eyelid about stolen porn, Ronson argued. The directors and actors Ronson spent time with for the podcast suffered the same spiralling incomes experienced by all media makers impacted by digitisation.

He explored everything from booming rates of young male impotence to the emergence of a thriving trade in so-called “custom” videos, where porn stars make ends meet by performing in bespoke films for wealthy clients, who pay thousands of dollars for their private fantasies to be enacted.

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In it, he unravelled the “butterfly effect” of the title: the myriad unforeseen ways that the emergence of free porn-streaming giant Pornhub threatened the adult film industry and changed society. The Butterfly Effect, Ronson’s seven-part 2017 podcast series, was his first foray into the world of the adult film industry. Maybe it’s no surprise, then, that in the world of porn, Ronson found rich pickings: an entire industry that he says the wider world is “studiously uninterested” in. Whatever Ronson turns his hand to, the common thread is his eye for the incongruous and his affectionate regard for the nuanced inner workings of the human animal.

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He also has the dubious claim to fame of having inadvertently helped to popularise US talk show host Alex Jones, he of the lizard-people rants, in a series he made on conspiracy theorists in 2001, before Jones’ Infowars site blossomed into the go-to “alternative media” of the American alt-right.